Fonds - Don Proch fonds

Zone du titre et de la mention de responsabilité

Titre propre

Don Proch fonds

Dénomination générale des documents

Titre parallèle

Compléments du titre

Mentions de responsabilité du titre

Notes du titre

Niveau de description

Fonds

Cote

Zone de l'édition

Mention d'édition

Mentions de responsabilité relatives à l'édition

Zone des précisions relatives à la catégorie de documents

Mention d'échelle (cartographique)

Mention de projection (cartographique)

Mention des coordonnées (cartographiques)

Mention d'échelle (architecturale)

Juridiction responsable et dénomination (philatélique)

Zone des dates de production

Date(s)

  • 1963-1988 (Production)

Zone de description matérielle

Description matérielle

36 cm of textual records and other material

Zone de la collection

Titre propre de la collection

Titres parallèles de la collection

Compléments du titre de la collection

Mention de responsabilité relative à la collection

Numérotation à l'intérieur de la collection

Note sur la collection

Zone de la description archivistique

Nom du producteur

Notice biographique

Canadian artist Don Proch was born in Inglis, Manitoba in 1944. Of Ukrainian heritage, he was raised on his grandparent's farm at Grandview, Manitoba until the age of eight, when he moved back to Inglis with his father, Dymetro. He enrolled in engineering at the University of Manitoba at the age of sixteen but quit, dissatisfied. His father persuaded him to return to the University, but this time Proch enrolled in the School of Art, where he studied under George Swinton and Ivan Eyre. He submitted a three-dimensional multi-media assemblage entitled "Asessippi Tread" in 1970 to the Winnipeg Biennial, and launched a successful art career that combines very fine drawing with three-dimensional sculpture. He formed a company of friends and family under the tongue-in-cheek name "Opthalmia Company of Inglis" shortly after his official artistic debut. It included Bill Lobchuk (printer and boss of the Grand Western Canadian Screen Shop), Kelly Clark, and Gord Bonnell, among others. Proch also worked solo with the Grand Western Canadian Screen Shop to produce prints of his drawings. In 1976 his work was chosen to be shown at Place Bonaventure in Montreal for the all-Canadian Olympic show. He completed a large mural for the Winnipeg Convention Centre in 1977, and has since had his work exhibited throughout North America, from the National Gallery of Canada to the Maney Collection in New York.

Historique de la conservation

Portée et contenu

Fonds consists of the professional papers of Manitoba multi-media artist, Don Proch. Included are: a chronologically arranged series of drawings and sketches (1963-1986); small qualities of business correspondence (1971-1988) and financial records (1973-1986); photographs and slides depicting works of art by Proch, as well as travel shots; and publications, news clippings, and promotional material relating to the artist and his work.

Zone des notes

État de conservation

Source immédiate d'acquisition

Classement

New file order and file titles generated by Archive staff.

Langue des documents

Écriture des documents

Localisation des originaux

Disponibilité d'autres formats

Restrictions d'accès

Access only with written permission from the donor. Material will be available for limited loan for exhibition purposes to accredited repositories and art galleries with the donor's consent.

Délais d'utilisation, de reproduction et de publication

Instruments de recherche

Inventory and photo index for 88-73 available.

Éléments associés

Éléments associés

Accruals

Note générale

Includes 5 cm. of graphic materials, 610 slides, 101 photographs, 1 videocassette, and 18 oversize items.

Identifiant(s) alternatif(s)

Zone du numéro normalisé

Numéro normalisé

Mots-clés

Mots-clés - Sujets

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle

Accession area

Sujets associés

Personnes et organismes associés

Lieux associés

Genres associés