Title and statement of responsibility area
Title proper
Don Proch fonds
General material designation
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Title statements of responsibility
Title notes
Level of description
Fonds
Reference code
Edition area
Edition statement
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
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1963-1988 (Creation)
Physical description area
Physical description
36 cm of textual records and other material
Publisher's series area
Title proper of publisher's series
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Numbering within publisher's series
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Archival description area
Name of creator
Biographical history
Canadian artist Don Proch was born in Inglis, Manitoba in 1944. Of Ukrainian heritage, he was raised on his grandparent's farm at Grandview, Manitoba until the age of eight, when he moved back to Inglis with his father, Dymetro. He enrolled in engineering at the University of Manitoba at the age of sixteen but quit, dissatisfied. His father persuaded him to return to the University, but this time Proch enrolled in the School of Art, where he studied under George Swinton and Ivan Eyre. He submitted a three-dimensional multi-media assemblage entitled "Asessippi Tread" in 1970 to the Winnipeg Biennial, and launched a successful art career that combines very fine drawing with three-dimensional sculpture. He formed a company of friends and family under the tongue-in-cheek name "Opthalmia Company of Inglis" shortly after his official artistic debut. It included Bill Lobchuk (printer and boss of the Grand Western Canadian Screen Shop), Kelly Clark, and Gord Bonnell, among others. Proch also worked solo with the Grand Western Canadian Screen Shop to produce prints of his drawings. In 1976 his work was chosen to be shown at Place Bonaventure in Montreal for the all-Canadian Olympic show. He completed a large mural for the Winnipeg Convention Centre in 1977, and has since had his work exhibited throughout North America, from the National Gallery of Canada to the Maney Collection in New York.
Custodial history
Scope and content
Fonds consists of the professional papers of Manitoba multi-media artist, Don Proch. Included are: a chronologically arranged series of drawings and sketches (1963-1986); small qualities of business correspondence (1971-1988) and financial records (1973-1986); photographs and slides depicting works of art by Proch, as well as travel shots; and publications, news clippings, and promotional material relating to the artist and his work.
Notes area
Physical condition
Immediate source of acquisition
Arrangement
New file order and file titles generated by Archive staff.
Language of material
Script of material
Location of originals
Availability of other formats
Restrictions on access
Access only with written permission from the donor. Material will be available for limited loan for exhibition purposes to accredited repositories and art galleries with the donor's consent.
Terms governing use, reproduction, and publication
Finding aids
Inventory and photo index for 88-73 available.
Associated materials
Accruals
General note
Includes 5 cm. of graphic materials, 610 slides, 101 photographs, 1 videocassette, and 18 oversize items.