Zone du titre et de la mention de responsabilité
Titre propre
Zepp-Varga Collection
Dénomination générale des documents
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
Niveau de description
Fonds
Cote
Zone de l'édition
Mention d'édition
Mentions de responsabilité relatives à l'édition
Zone des précisions relatives à la catégorie de documents
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
-
[ca. 1940s] – 2015 (inclusive); 1981-2003 (predominant) (Production)
Zone de description matérielle
Description matérielle
5.48 m of textual records and reference library, 3,273 slides, 1,448 photographs, 917 negatives, 13 digital images, 60 audio cassettes, 15 works of art on paper, 1 CD, equipment, 11 discs.
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Nom du producteur
Notice biographique
Norman Zepp was raised on a farm near Yorkton, Saskatchewan, and earned his BA from the University of Saskatchewan. While at university, Zepp met his partner Judith Varga; and he bought his first piece of Inuit art. Zepp switched his major from Education to Art History; and went on to earn an MA in Art History from Carleton University, under the supervision of George Swinton, who remained a lifelong friend of Zepp and Varga. After earning his graduate degree, Zepp was curator of exhibitions at the Mackenzie Art Gallery in Regina, and director of the Thunder Bay National Exhibition Centre and Centre for Indian Art. In 1988, he was appointed curator of Inuit art for the Art Gallery of Ontario (AGO), where he remained until 1994. During that time, Zepp was instrumental in building the AGO Inuit collection, including helping to facilitate several major donations, including the Williamson and the Sarick collections. Following the AGO, Zepp worked in Vancouver prior to returning to Saskatoon. He remains one of Canada’s foremost experts on Inuit art.
Historique de la conservation
Portée et contenu
This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).
Zone des notes
État de conservation
Source immédiate d'acquisition
Classement
Langue des documents
Écriture des documents
Localisation des originaux
Disponibilité d'autres formats
Restrictions d'accès
There are no restrictions on access.
Délais d'utilisation, de reproduction et de publication
Copyright, where applicable, has been transferred to the University Archives & Special Collections.