This fonds contains material relating to the research work, students, faculty and administration of the College of Arts and Sciences, and its departments. These records generally contain correspondence, minutes, reports, and memoranda; they may also contain material relating to associated national or international organizations, research articles, and addresses.

The fonds is comprised of small press gardening publications and offprints collected by Maginnes, as well as videos on his subjects of interest. The largest segment of the fonds is Maginnes’ collection of 35mm slides, which feature lecture slides and images related to his greenhouse work, images of his sabbatical trips to Denmark, Sweden, and Japan, and personal family images.

This collection of images by H. W. Finkler, were taken of activities within the framework of Canada – USSR / Russia cooperation on the arctic. The subject matter follows the development of international relations, with an emphasis on the Chukotka Autonomous Okrug and particularly, Indigenous peoples of the north. The collection contains images of cities, towns, and herding camps; various officials from Canada and Russia; and numerous images of local people. It is an exceptionally comprehensive glimpse into the architecture, landscape, and daily lives of people in the Russian federation, over a period of roughly 20 years.

This album contains images of University students involved in various activities; interiors of residence rooms; the university campus; and Saskatoon, taken between 1926 and 1930. The majority of images were taken by Jack Lydiard; most of the individuals are identified.

The images in this fonds primarily document volcanology, and were taken during various international field trips.

This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.

Oversized glass negatives of group photographs/graduation photos

Portraits and activities of a homesteading family, believed to be from near Springwater, Saskatchewan. Images include breaking the sod; travel with horse and buggy; threshing; and various portraits of family members.

These photographs capture the activities of the Indian 4-H program in a number of locations around Saskatchewan. Most photographs are in albums, although some arrived mounted on foamcore.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.