Fonds consists of professional records generated by Manitoba painter Arthur Horsfall, 1940-1995. The bulk of the collection consists of original drawings, sketches and sketchbooks, designs, and watercolors, as well as slides and photographs of his art works. Also included are correspondence, catalogues, and other records relating to the sale and exhibition of his work, along with correspondence with art galleries, art schools, arts organizations, professional associations, and employers. Publications featuring Arthur Horsfall and other artists are also present.

Fonds consists of personal, professional, and business records generated by Winnipeg printmaker and screen shop operator Bill Lobchuk. The records are arranged in ten series: Appointment Books (1979-1988); Correspondence (ca. 1973-1989); Financial Records; Personal (1972-1984); General Files (1955-1980s); Grand Western Canadian Screen Shop (1968-1984); Newspaper Clippings (1971-1988); Photographs and Negatives (1966-1980s); Professional Organizations (1974-1987); Publications (1972-1989); and Slides (1970-80). Of particular interest are Lobchuk's extensive personal and professional correspondence with artists, art galleries and arts organizations, and business records of the Grand Western Canadian Screen Shop which include correspondence, financial records and other documents relating to the establishment and operation of the shop. Also noteworthy are publications, articles, exhibition catalogues, invitations, posters, publicity materials, photographs, transparencies, and slides relating to Lobchuk's own work, and to products of the Screen Shop, as well as files documenting his involvement with various professional organizations.

Fonds consists of personal and professional papers of Saskatchewan artist David Thauberger, (1954-1989). Included are: ceramic sculptures, paintings, and prints created by Thauberger; awards and degrees; financial records; business and personal correspondence; a series of files documenting Thauberger's dealings with numerous Canadian art galleries; and photographs, slides and publications relating to Thauberger and his work. The fonds also contains the artist's extensive collection of articles, books, catalogues, invitations, correspondence, newspaper clippings, notes and writings, art works, photographs, slides, and sound recordings relating to Saskatchewan folk art. The collection includes recorded interviews, art works, and slides and photos depicting artworks by numerous artists, among them Ed Fletcher, Ann Harbuz, Molly Lenhardt, W.C. McCargar, Sam Spencer, Fred Neibrandt, Fred Moulding, and many others. Within the slides, some Quebec and Nova Scotia coverage is also present.

Fonds consists of the professional papers of Manitoba multi-media artist, Don Proch. Included are: a chronologically arranged series of drawings and sketches (1963-1986); small qualities of business correspondence (1971-1988) and financial records (1973-1986); photographs and slides depicting works of art by Proch, as well as travel shots; and publications, news clippings, and promotional material relating to the artist and his work.

Fonds consists of personal and professional papers chronicling the artistic and academic career of Doug Morton. Included are: Original drawings and sketches; Photographs and slides depiciting family, friends, artists, exhibitions and studios, and works of art by Doug Morton and others; and publications including exhibition catalogues, invitations, articles, publicity material, and clippings relating to Morton and other artists. A series of general files contain personal and business correspondence, biographical information, financial records, material relating to Morton's art projects, speaking engagements, jurying activities, and professional associatiions, and to his various work appointments.

Fonds consists of personal papers of Saskatchewan folk artist Jan Gerrit Wyers, 1913-1970. Included are original drawings and paintings, and slides and photographs of his art works, as well as personal and family photos depicting relatives in the Netherlands, Wyers' farm at Windthorst, and the installation of his exhibit at the Norman MacKenzie Art Gallery. Also present are personal documents, postcards from the Netherlands and North America, an exhibition catalogue and a small quantity of correspondence including 4 letters from Wyers to Ed Haveledge.

This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.

Fonds consists of personal and professional papers created by Margaret Messer. Arranged in six series (Education, General, Teaching, Organizations, Publications, and Scrapbooks) the records document her activities as a teacher, art educator, writer, and illustrator, as well as her own education and training and her involvement with several professional groups. A large part of the collection contains information on art education programs at Balfour Technical School (1945-1974) and at the University of Saskatchewan, Regina Campus (ca. 1966-1984) where she was a significant influence on program development. Of particular note is the series of publications which includes articles and books written or illustrated by Messer (1946-1973). Publications of the Saskatchewan Society for Education through Art (SSEA) are found in the Organizations series, along with papers, correspondence, conference materials, minutes, newsletters, and other records pertaining to her involvement with the SSEA (1961-1985), the Canadian Society for Education through Art (1962-1984), the Saskatchewan Arts Board (1947-1970), and others. General Files (1927-1986), containing biographical information, art commissions, personal and professional correspondence, curriculum materials, travel logs, drawings by Messer, and memorabilia, provide additional insight into her life and career.

Fonds consists of records documenting the personal and professional life of artist and teacher Ted Godwin. The records are arranged in thirteen series: Artifacts (1980-1984); Art Works, Designs, Sketches and Posters (1949-1987); Calendars and Diaries (1969-1986); Correspondence (ca. 1964-1984); Financial Records, Personal (1955-1984); General Files (ca. 1965-1986); Miscellaneous Material; Newspaper Clippings, Articles; Photographs and Negatives (ca. 1950-1986); Publications (1929, 1942, 1949-1986); Slides; Audio Tapes (1981); and Videotapes (1982-1987). Of particular interest are Godwin's original sketches, sketchbooks, works of art, and posters, as well as a large quantity of photographs, slides, videotapes, exhibition catalogues, and other publications relating to his work and the work of other artists. Also noteworthy is the correspondence with architects, art galleries, and dealers, artists, art teachers, family and friends which contains copies of Godwin's outgoing letters. The General Files chiefly comprise files relating to his professional life including business correspondence; correspondence and financial records pertaining to the Hard Art Moving and Storage Co. and other enterprises; professional organization files; correspondence, lecture notes and student papers relating to his work at the University of Regina and other institutions; and a small quantity of Godwin's prose and poetry. Small amounts of personal and family materials are also found in the financial records, photographs, slides, and videotapes.

Fonds consists of personal and professional papers of Manitoba artist, Tony Tascona. Included are catalogues, commission and project files, exhibition files, catalogues, invitations, and publicity material, news clippings, reference material and periodical articles, and audiovisual material relating to Tascona and his art. Of particular note is the series of business correspondence (1960-1994), the photos and slides of Tascona's work and events during his career, and a substantial collection of original art cards created by numerous contemporary artists (1952-1993), along with catalogues of other artists. The fonds also contain a small selection of Tascona's original art creations including drawings, a self-portrait, prints, T-shirts, and wedding invitations. Records relating to the Royal Canadian Academy of Arts during Tascona's tenure as prairie region vice-president (1979-1981), to the Winnipeg Art Gallery when he served on its Board (1975-1976), and to his involvement with the Canadian Conference of the Arts (1990-1993) are also present. The professional records are supplemented with small quantities of personal and family financial records, legal documents, correspondence and photographs. The fonds also includes a photograph of Tascona's grade one class with teacher, Gabrielle Roy.