Zona do título e menção de responsabilidade
Título próprio
Claude Breeze fonds
Designação geral do material
Título paralelo
Outra informação do título
Título e menções de responsabilidade
Notas ao título
Nível de descrição
Fundo
Entidade detentora
Código de referência
Zona de edição
Menção de edição
Menção de responsabilidade da edição
Zona de detalhes específicos de materiais
Menção da escala (cartográfica)
Menção da projecção (cartográfica)
Menção das coordenadas (cartográfico)
Menção da escala (arquitectura)
Autoridade emissora e denominação (filatélica)
Zona de datas de criação
Data(s)
-
1954-1996 (Produção)
Zona de descrição física
Descrição física
2.52 m of textual records of art
649 photographs
306 works of art
Zona dos editores das publicações
Título próprio do recurso continuado
Títulos paralelos das publicações do editor
Outra informação do título das publicações do editor
Menção de responsabilidade relativa ao editor do recurso contínuo
Numeração das publicações do editor
Nota sobre as publicações do editor
Zona da descrição do arquivo
Nome do produtor
História biográfica
Claude Breeze is a painter of national repute. Born in Nelson, BC in 1938, he spent his childhood in Saskatoon living with his grandparents. In high school he was taught by artist Ernest Lindner, and received a Certificate in Arts from the University of Saskatchewan, Regina College, where he studied under Ron Bloore, Roy Kiyooka, Ken Lochhead and Art McKay. In 1959 he moved to British Columbia to attend the Vancouver School of Art, then joined the Medical Illustration Department sat the Vancouver General Hospital. Vancouver in the sixties was a mecca for artists, poets, writers, and musicians and Breeze and Ardis Watson, whom he married on February 5, 1969, collected a lively group around them, including artist Brian Fisher (who had also attended Regina College), poet John Newlove, photographer Fred Herzog, and musician Barry Hall. Breeze has worked as an instructor at Simon Fraser University (1967), the Banff Centre School of Fine Arts (1972), the University of Calgary (1975), and the Emily Carr School of Art in Vancouver (1988). He was Artist-in-Residence at the University of Western Ontario in London from 1972 to 1975. In 1976 he was appointed Associate Professor of Art at York university in Toronto where he remains. Claude Breeze, under the sponsorship of Vancouver painter Jack Shadbolt, held his first one-man show 'Lovers in a Landscape' at New Design Gallery in Vancouver in 1965. Since the he has had many one-man shows from coast to coast in Canada, and in Paris, France. He has participated in numerpus group shows across Canada and in the United States, England, France and Scotland. Claude Breeze's paintings have been purchased by galleries and universities all across Canada and by several major Canadian corporations. He has been awarded commissions for the Bank of Nova Scotia; Pacific Centre Mall, Vancouver, British Columbia; the Lawrence West Subway Station; the Spadina Line of the Toronto Transit Commission (1977); and the London Court House in London, Ontario (1974). Articles relating to his work have been published in various art magazine and books, in Canada and the United States. He was elected to the Royal Canadian Academy of Arts in 1974 and was awarded the Queen's Silver Jubilee Medal in 1978.
História custodial
Âmbito e conteúdo
Fonds consist of personal papers documenting the artistic and teaching career of Claude Breeze. The records are arranged in nine series: Art Works, Drawings, Sketches and Sketchbooks; Calendars and Diaries; Correspondence; Personal Financial Records; General Files; Newspaper Clippings; Photographs; Publications; and Scrapbooks. These papers, and in particular the wealth of sketches, drawings, and photographs included in the fonds, trace in detail the development of Breeze's art from his first works produced in the early 1950's to 1969 and beyond. A rich collection of correspondence, photographs, publications, and publicity materials reveals a generation of Canadian artists, poets, and writers who were strongly influenced by the 1960s. Also included is correspondence with Canadian public and commercial art galleries and with Breeze's patrons, Dr. Ken and Joyce Morton of Vancouver.
Zona das notas
Condição física
Fonte imediata de aquisição
Organização
Original order not deemed usable.
Idioma do material
Script do material
Localização de originais
Disponibilidade de outros formatos
Restrições de acesso
Open for research. Two files of confidential material in Accession 96-26 are restricted.
Termos que regulam o uso, reprodução e publicação
Copyright retained by the donor.
Instrumentos de descrição
Inventories for 87-94 and 96-26 are available.
Materiais associados
Ingressos adicionais
Nota geral
All 306 art works are oversize. Fonds includes 18 additional oversize items.