Área de título y declaración de responsabilidad
Título apropiado
Beamish / Kenderdine Family fonds
Tipo general de material
Título paralelo
Otra información de título
Título declaración de responsabilidad
Título notas
Nivel de descripción
Fondo
Institución archivística
Código de referencia
Área de edición
Declaración de edición
Declaración de responsabilidad de edición
Área de detalles específicos de la clase de material
Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Fecha(s)
-
1909-1990 (Criação)
Área de descripción física
Descripción física
52 cm of textual records
56 photographs
173 postcards
1 videotape
Área de series editoriales
Título apropiado de las series del editor
Títulos paralelos de serie editorial
Otra información de título de las series editoriales
Declaración de responsabilidad relativa a las series editoriales
Numeración dentro de la serie editorial
Nota en las series editoriales
Área de descripción del archivo
Nombre del productor
Historia biográfica
In 1908 A.F. "Gus" Kenderdine, his wife Jane (née Ormerod) and their children emigrated from England to Saskatchewan, where they homesteaded near Lashburn. Gus Kenderdine became the first 'artist-in-residence' at a Canadian university when president Walter Murray hired him in 1920; Kenderdine later became a lecturer in art at the University, and was largely responsible for the formation of the University's 'Art Camp' at Emma Lake (now known as "Kenderdine Campus"). The Kenderdines had four children: Richard, Adelaide, May, and a third daughter, Rose, who died during the influenza epidemic of 1918. Richard eventually took over the family farm near Lashburn. Adelaide (BA '23) married John Kenderdine, a distant relative, and they lived for many years in Japan both before and following World War II. Florence May Kenderdine married Oswald Beamish; they, too, lived near Lashburn. Between 1985-1986 May Beamish donated approximately 130 of her father's paintings and sketches to the University of Saskatchewan, and provided over $1 million to help fund the new College of Agriculture building on the condition that it include an art gallery.
Nombre del productor
Historia biográfica
A.F.L. "Gus" Kenderdine was born in Manchester, U.K. on March 31, 1870. He was encouraged to paint at an early age by his godfather, Belgian artist Chevalier Lafosse. Kenderdine attended the Manchester School of Art and the Académie Julian in Paris from 1890 to 1891, where he studied portraiture. In 1892, he returned to England where he opened an art shop and specialized in painting portraits and English coastal scenes. His work was exhibited at a number of galleries in England, including the Royal Academy. Around 1908, he brought his family to Canada and began ranching at Lashburn, Saskatchewan. During this time, he thought of his painting as a "hobby;" but in the early 1920s his work came to the attention of Dr. W.C. Murray, then President of the University of Saskatchewan. Murray offered Kenderdine artist-in-residency status on campus, and in 1927 appointed Kenderdine Lecturer in Art. In the early 1930s, Kenderdine purchased land at Murray Point on Emma Lake, a site which became the University of Saskatchewan Summer Art School. In 1936, Kenderdine was transferred to Regina College to help establish an art department there. He died in 1947. The Art School at Emma Lake was renamed the Kenderdine Campus in his honour.
Nombre del productor
Historia biográfica
Daughter of A.F. Kenderdine who married John Kenderdine, a distant relative.
Nombre del productor
Historia biográfica
Daughter of A.F. Kenderdine. She married Oswald Beamish.
Historial de custodia
May Beamish was predeceased by both her parents and her siblings. As the last living member of her immediate family, May was left with documents originally belonging to other family members. Oswald and May Beamish were childless, and when May died these documents became the property of her niece, Adelaide Retzlaff. Ms. Retzlaff donated them to the University of Saskatchewan Archives in 1999.
Alcance y contenido
This fonds contains correspondence, cards, and published materials owned by various members of the Kenderdine / Beamish families.
Área de notas
Condiciones físicas
Origen del ingreso
May Beamish was predeceased by both her parents and her siblings. As the last living member of her immediate family, May was left with documents originally belonging to other family members. Oswald and May Beamish were childless, and when May died these documents became the property of her niece, Adelaide Retzlaff. Ms. Retzlaff donated them to the University of Saskatchewan Archives in 1999.
Arreglo
This fonds has been organized into five series:
I. Christmas Cards
II Correspondence
III. Family
IV. Photographs
V. Published Materials
Idioma del material
Escritura del material
Ubicación de los originales
Disponibilidad de otros formatos
Restricciones de acceso
There are no restrictions on this collection.
Condiciones de uso, reproducción, y publicación
Instrumentos de descripción
Finding aid available.
Uploaded finding aid
Materiales asociados
Related material: Associated materials can be found in the A.F.L. Kenderdine fonds (MG 87). Materials relating to Emma Lake and the artists who studied there can be found in the department of Art and Art History fonds (RG 2034); the Ruth Pawson fonds (MG 204); the Beth and McGregor Hone fonds (MG 183); the Hans Dommasch fonds (MG 172); the Mina Forsyth fonds (MG 97); and the Jean Murray fonds (MG 61). Another useful collection regarding Emma Lake are the Ken Lochhead fonds (86-29) at the University of Regina Archives. See also Faculty Biographies, Alumni records, publications, and various administrative/president's papers.
Acumulaciones
Nota general
No attempt has been made to divide the material further by separating documents originally belonging to one family member from another.