7 résultats directement liés Exclure les termes spécifiques
Robert Calder and Holly Borgerson Calder fonds
The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.
Sans titre
Fait partie de University of Saskatchewan Photograph Collection
John Adams (Professor of Pathology), Dr. Caldwell, Dr. Lindsay (Dean of Medicine) and A.M. Blue (Kiwanis Club) standing with group of physicians who are members of the Kiwanis Club. They are inside the Murray Museum of Pathology
Bio/Historical Note: The Museum consisted of reproductions of photographs from Pathology Museum of the University of Toronto.
This fonds documents Allan Gonor’s active engagement with the people he met and the cultures he experienced. His was a curiosity borne of genuine interest, which manifested itself not only in his work as a physician, but also in his avocation: art; and in the numerous films and photographs he took. These document the local communities in and near North Battleford, Saskatchewan; including Hutterite colonies and First Nations reserves; as well as countries around the world. It documents his life and career, his interest in indigenous art and culture, and reflects his friendships with a wide variety of artists and writers, as well as the numerous individuals he met.
Sans titre
Fait partie de University of Saskatchewan Photograph Collection
John W. Adams (Professor of Pathology), Dr. Caldwell (Saskatoon physician), Dr. Stewart Lindsay (Dean of Medicine) and A.M. Blue (Kiwanis Club) standing inside the Murray Museum of Pathology with a group of physicians who are members of the Kiwanis Club. "Murray Museum of Pathology".
Bio/Historical Note: It was hailed as “a progressive aid in the teaching of medicine” and consisted of 2,000 “photographic reproductions of all the organs, blood vessels, tissue and other parts of the human body showing the development of all the diseases and ailments that beset the human frame.” The black and white photos were the work of Dr. John W. Adams, assistant professor of Pathology, who shot specimens in the collection of the University of Toronto. The project was funded by the Saskatoon Kiwanis Club to the tune of $5,000 and named in memory of Dr. Walter Murray, the first president of the University of Saskatchewan. Dean Lindsay saw the museum as “a wonderful aid in the teaching of medicine.” He also saw an advantage of photos over specimens because images would not deteriorate over time. He predicted that the collection would still be useful to students in 50 years. At some point the museum became redundant and the photos and the memorial plaque vanished.
Fait partie de University of Saskatchewan Photograph Collection
John Adams (Professor of Pathology) speaking with unidentified lady in the Blood Vessels section of the Murray Museum of Pathology.
Artists, galleries and museums
Fait partie de Peter Millard fonds
This series contains material pertaining to art related transactions between Peter Millard and various artists, museums and galleries in Canada and England. There are files for each of the following: The Canadian Art Bank, Oliver Bevan, Canadian Arctic Producers, Prunella Cough, Reta Cowley, Norm Dallin, Gallery One, Maurice Haycock, Patrick Hayman, Keewatin show, Malborough Godard, Mira Godard, Greg Hardy, James Art Studio, Kesik Gallery, Dorthy Knowles, Paul Kuhn, Mackenzie Gallery, D.J. MacMillan, Mendel Gallery, Brian Melnychenko, Bill and Angelique Merasty, Wyona Mulcaster, Frederick Mulder, Denis Nokony, U of S Print Shop, Sotheby's (London), Dmytro Stryjek, Thomas Gallery, Oden Wagner, Susan Whitney Gallery and Wills Lane Gallery.
Sans titre
The fonds contains material pertaining to private papers, the careers of Patrick Hayman and Dmytro Stryjek, Inuit Art, human rights in Saskatchewan during the Devine years, sexual discrimination, homosexuality, the Visual Aids Campaign the Doug Wilson Case, artists, galleries, collectors, dealers in Canada and England and the Millard Gallery, Millard’s research into Roger North and the Notes of Me manuscript. The material consists of minutes, correspondence, records, notes, clippings, articles, photographs, slides and catalogues..
Sans titre