Museums√

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88 Archival description results for Museums√

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Artists, galleries and museums

This series contains material pertaining to art related transactions between Peter Millard and various artists, museums and galleries in Canada and England. There are files for each of the following: The Canadian Art Bank, Oliver Bevan, Canadian Arctic Producers, Prunella Cough, Reta Cowley, Norm Dallin, Gallery One, Maurice Haycock, Patrick Hayman, Keewatin show, Malborough Godard, Mira Godard, Greg Hardy, James Art Studio, Kesik Gallery, Dorthy Knowles, Paul Kuhn, Mackenzie Gallery, D.J. MacMillan, Mendel Gallery, Brian Melnychenko, Bill and Angelique Merasty, Wyona Mulcaster, Frederick Mulder, Denis Nokony, U of S Print Shop, Sotheby's (London), Dmytro Stryjek, Thomas Gallery, Oden Wagner, Susan Whitney Gallery and Wills Lane Gallery.

Sin título

Museums Association of Saskatchewan - Prairie Trails Museum Network

The fonds, related to the Museums Association of Saskatchewan - Prairie Trails Museum Network, were accumulated by the source. No other information was captured at the time of transfer to the Swift Current Museum for records not generated by the Museum.

The content has not been professionally appraised, arranged, or described. The following is a basic listing of the unprocessed contents:
-Minutes and financial information, 1998 - 2006; Carr McLean receipts for collection and archival supplies.

Sin título

Expenses Recoverable 1954

The fonds, related to the Swift Current Museum were accumulated by the source. No other information was captured at the time of transfer to the Swift Current Museum for records not generated by the Museum.

The content has not been professionally appraised, arranged, or described. The following is a basic listing of the unprocessed contents:
-Expenses Recoverable 1954 folder, found in collection

Margaret Wright fonds

  • SCM-RG-0012
  • Fondo
  • ? - 1998-05-15

The fonds, related to Louise Rosenbury and the Wright Museum, were accumulated by the source. No other information was captured at the time of transfer to the Swift Current Museum.

The content has not been professionally appraised, arranged, or described.

Sin título

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