The fonds includes material documenting William Deverell’s career primarily as a writer and a lawyer. Among other material, included are research and drafts relating to most of his books and screenplays; other writing; documents re court cases, particularly those used as background for books and screenplays (including the CBC series Scales of Justice); records relating to The Writers Union of Canada; material relating to early activities including newspaper articles written by Deverell and clippings etc. relating to his election campaigns and trials he was involved in; videocassettes of his films Shellgame and Mindfield; correspondence with agents, publishers, producers, fans, etc., and other records relating to the publication and promotion of his books and films; and professional and personal correspondence with Carol Shields, Marian Engel, Margaret Atwood, Susan Musgrave, Stephen Reid and others.

The material in this fonds documents the literary and performance career of Steven Ross Smith.

This fonds contains correspondence from Reta Cowley, and John Hicks. The Cowley correspondence in part, discusses her painting process; and the Hicks correspondence discusses the Saskatchewan writing scene (particularly Prince Albert); his publications and awards, and his ideas about writing.

This fonds contains correspondence, memoranda, reports and other documents relating to Gingell's involvement in women's issues and gender studies at the U of S as well as addresses, published articles and reviews pertaining to her teaching and research activities.

This fonds contains Professor Altschul's personal papers, including the manuscripts of his two novels, "Trilemma" and "Vorgestern und Uebermorgern," various poems, stories, and articles, as well as personal correspondence, finances, and family memorabilia. It also contains his books "Arteriosclerosis" and "Endothelium," and three books by other authors. Many of the stories, articles, and correspondence refer to the sinking of the Athenia. This fonds also contains files relating to Professor Altschul's research activities, particularly in the fields of arteriosclerosis, endothelium, and niacin.

This fonds consists of a small portion of Maugham's manuscript and published items. The majority of the material relates to "The Deserters" and includes manuscripts, proofs, and a published copy of this work. The incident which forms the central theme of "The Deserters" is a meeting between an English and German soldier during World War Two. This incident is based on an event that happened to Maugham while he was fighting in the Western Desert during World War Two.

The fonds also includes heavily annotated manuscripts of "Winter in Ischia: A Novel" and "The Account: A Novel". "The Account: A Novel" was based on Maugham's play, "Enemy." There is also a manuscript of the play, "A Question of Retreat." The fonds also includes a first printing paperback copy of "The Wrong People," a monograph which was originally published by Maugham under the pseudonym David Griffin. The fonds includes a handwritten note and published tribute written by Peter Burton, who worked closely with Maugham for many years and was one of his literary executors. The fonds also contains two newspaper clippings.

The fonds consists of synopses of lectures about Australian literature prepared by critic and poet Tom Inglis Moore. The notes were obtained by Scott in 1954-55 when he took Tom Inglis Moore's course in literature at the Canberra University College, Australia (now part of the Australian National University). Tom Inglis Moore pioneered the study of Australian literature as a subject, and 1954-55 was the first year any Australian university or college offered such a course.

This fonds consists of materials relating to Robert Currie's literary works and interests. It includes: drafts and manuscripts of his poetry, short fiction, novels and radio plays; his published books and work in periodicals; correspondence with writers and publishers; records relating to Salt, an unpublished anthology co-edited with Glen Sorestad, 2000% Cracked Wheat, and his editorial work on other's writings. Also included in this fonds are records of Coteau Books and Currie's involvement with the Festival of Words and Saskatchewan Writer's Guild, as well as some memorabilia.

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.

This fonds contains correspondence and memoranda pertaining to Marken's teaching and writing, published and unpublished poems, plays, stories, reviews, articles and addresses as well as miscellaneous reference and resource material.

This fonds contains records relating to teaching, including notes for lectures, and student records and marks. Following Bateman’s death, the University published a memorial volume of his writing, including some poems, lectures, essays (among them, on war), and correspondence.

The Gustafson collection includes five boxes of correspondence, including many with some of Canada's leading literary figures from the 1930s to the 1960s. The collection also houses manuscripts, proofs, and published first editions of some of Gustafson's well-known publications. There are also newspaper clippings and reviews.

This fonds contains various publications and some correspondence from Peter Stevens regarding his career as a poet and editor.

The fonds contains material pertaining to private papers, the careers of Patrick Hayman and Dmytro Stryjek, Inuit Art, human rights in Saskatchewan during the Devine years, sexual discrimination, homosexuality, the Visual Aids Campaign the Doug Wilson Case, artists, galleries, collectors, dealers in Canada and England and the Millard Gallery, Millard’s research into Roger North and the Notes of Me manuscript. The material consists of minutes, correspondence, records, notes, clippings, articles, photographs, slides and catalogues..

The material in this fonds relates to Denham's career as a Professor of English, as well as a significant amount relating to his association with "NeWest Review" from 1983 to 1999. Denham served primarily as literary review editor for NeWest (the book review section was one of the more popular features of the magazine) and more generally as a member of the editorial board. The fonds contains materials collected and/or created by other NeWest editors, including Margaret Gail Osachoff (theatre reviews), Lewis Horne (fiction reviews), Jim Miller, Bill Waiser, and David Carpenter.