Six members of the orchestra pose for the camera.

J.W.T. Spinks, University President, standing with Dr. Gerhard Herzberg, winner of the 1971 Nobel Prize in Chemistry, enjoy the musical stylings of the Intensely Vigorous College Nine during a dinner held in Marquis Hall in honour of Herzberg.

Bio/Historical Note: The Intensely Vigorous College Nine marching band was founded on 1 October 1954 by “Bobs” Caldwell as a spoof on college marching bands. It began life as the Dawn Sommers-Irvine Epstein Memorial Band, in reference to a 1954 prank in which three law students convinced everyone on campus that an aspiring Winnipeg actress visiting campus was actually a rising starlet on contract with Paramount Studios. Irvine Epstein was supposedly the one who exposed the hoax, hence the name. In the fall of 1954 the band changed its name to the G.B. Armstrong Memorial Vegetable Soup Contest and Tug O’ War College Marching Band before settling on the Intensely Vigorous College Nine, perhaps in reference to the ‘College Nine,’ a popular student swing band of the late 1940s. Having rehearsed regularly and dismissing rumours that they were learning only one number, members summed up the band’s progress by noting “she’s not much for music but she’s hell for laughs.” Their first public appearance was at the Homecoming weekend parade. So unusual was their talent, so original their arrangements and so spirited their participation during those festivities that the College Nine were named “Men of the Week” by the Sheaf. The Intensely Vigorous College Nine remained a campus tradition long past the graduation of its original membership, and was an entertaining presence at the University until the mid-1990s. In addition to being active participants in student life, many band members went on to great achievement in their professional careers. Indeed, one alumnus of the College Nine, Ray Hnatyshyn (1934-2002) PC CC CMM CD QC QC (Sask) Hon. FRHSC, became Governor General of Canada.

Seated and holding their instruments with music stands in front of them are (l to r): Murray Adaskin, Norma Lee Bisha, Robert Klose, and Edward Bisha.

Bio/Historical Note: Three string quartets bearing the name Amati have been based in Canada. Two separate Amati string quartets have performed on 17th-century instruments built by the Amati family of Italy, and owned by the University of Saskatchewan in Saskatoon. A third unrelated Amati String Quartet was based in Ontario, primarily Toronto, from 1985 to 2000. This first Amati String Quartet was founded in 1968 by Murray Adaskin and three other faculty members of the University of Saskatchewan: Norma Lee Bisha (second violin), Michael Bowie (viola), and Edward Bisha (cello). It gave its first concert on 2 February 1969. Later that same year, Robert Klose was named second violin and Norma Lee Bisha replaced Michael Bowie. The personnel remained stable until the group was supplanted in 1971 by the Canadian Arts Trio after fewer than 10 formal concerts. The quartet was too short-lived to develop a wide repertoire or a distinctive style. The University of Saskatchewan Amati Quartet in Residence was established in August 2003 and also played on the university’s Amati instruments. This quartet had previously been known as the Cole Quartet. The initial members were Marla Cole (1968-2017) first violin), Michael Swan (second violin), Geoff Cole (viola) and Linda Bardutz (cello). In 2004, Luke Hnenny became second violinist and Peter Hedlin replaced Bardutz as cellist. The Amati Quartet performs a yearly recital series, including a Thanksgiving Monday concert, and plays at various University of Saskatchewan events. It performed for Queen Elizabeth II in honour of Saskatchewan’s 100th anniversary in May 2005, and since its opening season has undertaken a project to perform all of Haydn’s string quartets. The Amati instruments at the University of Saskatchewan — one violin built in 1627, another violin built in 1637, the viola in 1607 and the cello in 1690 — are the only set in Canada built by the Amati family of Cremona. The viola’s back bears the painted crest of the Borghese family that commissioned it. All were purchased by Kindersley, Sask. collector Stephen Kolbinson (1888-1986) and sold to the university in 1959 for $20,000 on the condition that the university establish an Amati string quartet. The Canadian Arts Trio (active 1971–1975) — which comprised Robert Klose (violin), Edward Bisha (cello) and Robin Harrison (piano) — used two of the four Amati instruments owned by the university. The Amati instruments were lent to Victoria's Lafayette Quartet 1992-1998. They have also occasionally been played by members of the Saskatoon Symphony Orchestra. The estimated value of the instruments is approximately $3 million (2020).

Standing and holding their instruments are (l to r): Murray Adaskin, Norma Lee Bisha, Robert Klose, and Edward Bisha.

Bio/Historical Note: Three string quartets bearing the name Amati have been based in Canada. Two separate Amati string quartets have performed on 17th-century instruments built by the Amati family of Italy, and owned by the University of Saskatchewan in Saskatoon. A third unrelated Amati String Quartet was based in Ontario, primarily Toronto, from 1985 to 2000. This first Amati String Quartet was founded in 1968 by Murray Adaskin and three other faculty members of the University of Saskatchewan: Norma Lee Bisha (second violin), Michael Bowie (viola), and Edward Bisha (cello). It gave its first concert on 2 February 1969. Later that same year, Robert Klose was named second violin and Norma Lee Bisha replaced Michael Bowie. The personnel remained stable until the group was supplanted in 1971 by the Canadian Arts Trio after fewer than 10 formal concerts. The quartet was too short-lived to develop a wide repertoire or a distinctive style. The University of Saskatchewan Amati Quartet in Residence was established in August 2003 and also played on the university’s Amati instruments. This quartet had previously been known as the Cole Quartet. The initial members were Marla Cole (1968-2017) first violin), Michael Swan (second violin), Geoff Cole (viola) and Linda Bardutz (cello). In 2004, Luke Hnenny became second violinist and Peter Hedlin replaced Bardutz as cellist. The Amati Quartet performs a yearly recital series, including a Thanksgiving Monday concert, and plays at various University of Saskatchewan events. It performed for Queen Elizabeth II in honour of Saskatchewan’s 100th anniversary in May 2005, and since its opening season has undertaken a project to perform all of Haydn’s string quartets. The Amati instruments at the University of Saskatchewan — one violin built in 1627, another violin built in 1637, the viola in 1607 and the cello in 1690 — are the only set in Canada built by the Amati family of Cremona. The viola’s back bears the painted crest of the Borghese family that commissioned it. All were purchased by Kindersley, Sask. collector Stephen Kolbinson (1888-1986) and sold to the university in 1959 for $20,000 on the condition that the university establish an Amati string quartet. The Canadian Arts Trio (active 1971–1975) — which comprised Robert Klose (violin), Edward Bisha (cello) and Robin Harrison (piano) — used two of the four Amati instruments owned by the university. The Amati instruments were lent to Victoria's Lafayette Quartet 1992-1998. They have also occasionally been played by members of the Saskatoon Symphony Orchestra. The estimated value of the instruments is approximately $3 million (2020).

Seated and playing their instruments with music stands in front of them are (l to r): Murray Adaskin, Norma Lee Bisha, Robert Klose and Edward Bisha.

Bio/Historical Note: Three string quartets bearing the name Amati have been based in Canada. Two separate Amati string quartets have performed on 17th-century instruments built by the Amati family of Italy, and owned by the University of Saskatchewan in Saskatoon. A third unrelated Amati String Quartet was based in Ontario, primarily Toronto, from 1985 to 2000. This first Amati String Quartet was founded in 1968 by Murray Adaskin and three other faculty members of the University of Saskatchewan: Norma Lee Bisha (second violin), Michael Bowie (viola), and Edward Bisha (cello). It gave its first concert on 2 February 1969. Later that same year, Robert Klose was named second violin and Norma Lee Bisha replaced Michael Bowie. The personnel remained stable until the group was supplanted in 1971 by the Canadian Arts Trio after fewer than 10 formal concerts. The quartet was too short-lived to develop a wide repertoire or a distinctive style. The University of Saskatchewan Amati Quartet in Residence was established in August 2003 and also played on the university’s Amati instruments. This quartet had previously been known as the Cole Quartet. The initial members were Marla Cole (1968-2017) first violin), Michael Swan (second violin), Geoff Cole (viola) and Linda Bardutz (cello). In 2004, Luke Hnenny became second violinist and Peter Hedlin replaced Bardutz as cellist. The Amati Quartet performs a yearly recital series, including a Thanksgiving Monday concert, and plays at various University of Saskatchewan events. It performed for Queen Elizabeth II in honour of Saskatchewan’s 100th anniversary in May 2005, and since its opening season has undertaken a project to perform all of Haydn’s string quartets. The Amati instruments at the University of Saskatchewan — one violin built in 1627, another violin built in 1637, the viola in 1607 and the cello in 1690 — are the only set in Canada built by the Amati family of Cremona. The viola’s back bears the painted crest of the Borghese family that commissioned it. All were purchased by Kindersley, Sask. collector Stephen Kolbinson (1888-1986) and sold to the university in 1959 for $20,000 on the condition that the university establish an Amati string quartet. The Canadian Arts Trio (active 1971–1975) — which comprised Robert Klose (violin), Edward Bisha (cello) and Robin Harrison (piano) — used two of the four Amati instruments owned by the university. The Amati instruments were lent to Victoria's Lafayette Quartet 1992-1998. They have also occasionally been played by members of the Saskatoon Symphony Orchestra. The estimated value of the instruments is approximately $3 million (2020).