The Hurley Collection contains many finished paintings, sketches, and experimental artworks by Hurley as well as correspondence, newspaper clippings, slides and photographs of Hurley, as well as his family, friends, and things that interested him. It also includes his diaries and “memories” or memoirs. The Hurley Collection contains many pieces of finished and unfinished artwork by Hurley, particularly landscapes as well as other sketches and experimental works. It contains his diaries and memoirs as well as correspondence which discusses his life and his artwork.
This collection contains the carbon copies of the papers pertaining to the Newfoundland Fishery Arbitration. The Arbitration was brought before the Permanent Court of Arbitration at The Hague, under the provisions of the general treaty of arbitration of April 4, 1908, and the special agreement of January 27, 1909, between the United States of America and Great Britain.
This fonds contains Rife’s diary for 1910, the year he decided to lease his homestead and pursue a degree at the University of Saskatchewan. A book owned by his father, George Rife, documents the area of Pennsylvania where Rife family were before they emigrated to Canada. Notes by Rife’s daughter provide context and additional information.
This album contains over 360 autographs from prominent individuals of the time, including six Prime Ministers (all those who served between 1878-1911); eight Governors-General; 25 cabinet ministers; and over 100 members of parliament, predominantly those who served in the first 10 parliaments [first sitting date to dissolution] between 1867 and 1905. Other individuals of achievement and/or fame in various fields are also represented: scientists; public officials from other countries; diplomats; religious leaders; those in the performing arts. Uniquely, the album also contains several signatures from members of the Royal Family: extremely rare in an album of this kind.
This fonds contains correspondence from Reta Cowley, and John Hicks. The Cowley correspondence in part, discusses her painting process; and the Hicks correspondence discusses the Saskatchewan writing scene (particularly Prince Albert); his publications and awards, and his ideas about writing.
The fonds is comprised of small press gardening publications and offprints collected by Maginnes, as well as videos on his subjects of interest. The largest segment of the fonds is Maginnes’ collection of 35mm slides, which feature lecture slides and images related to his greenhouse work, images of his sabbatical trips to Denmark, Sweden, and Japan, and personal family images.
This diary spans four eventful years of Ms. Priest’s life, touching on her activities as a teacher, her wedding, holiday trips to England and Wales, and early years homesteading in Canada. Personal and philosophical thoughts are also explored within the diary. Many flowers pressed in diary.
This fonds contains materials relating to the professional activities of Grant Wood, including papers he has presented at conferences, and his work in the Canada Mongolia Training for Rural Development Project. Also included are some of his early teaching materials, and materials collected on subjects related to his field.
Documents in the fonds relate to the National Research Council - International Biological Program Natural Area Survey - Conservation Terrestrial Saskatchewan Region. Most regions of Canada had an IBP Committee working toward the establishment of a Natural Area system. The Sask. provincial program started in 1968. Fieldwork began in 1969 with 95 areas were selected for the inventory.
The Westcott-Hurley Collection contains many finished paintings, sketches, and experimental artworks by Hurley as well as correspondence, newspaper clippings, slides and photographs of Hurley, as well as his family, friends, and things that interested him.
ca. 1930-2007 (inclusive); 1977-1983 (predominant).
The fonds includes film footage and audio recordings created during Christopher Chapman’s film project relating to Richard St. Barbe Baker; photographs of the film shoot in British Columbia; correspondence, drafts, proposals, notes, etc. documenting the film project, including correspondence between Chapman and St. Barbe and between Chapman and others; photographs taken and collected by St. Barbe; letters sent to St. Barbe care of Chapman during his extended visit to Canada; articles and other resource material compiled by both Chapman and St. Barbe, especially relating to forestry and the environment, and about St. Barbe; and related material including slides of the Findhorn Community in Scotland.
This fonds includes materials relating to Patricia Monture’s teaching, research, and professional activities on campus, as well as an extensive collection of materials relating to Indigenous rights, women’s rights, Indigenous women’s rights, the Canadian justice system, and how the Canadian justice system interacts with Aboriginal, female, and Aboriginal female offenders. The papers also explore issues of child welfare and domestic violence. A number of legal documents are included, as are materials relating to Indigenous self-governance, treaties, and the Indian Act. Also included are materials relating to Monture’s involvement in a number of national commissions including the Royal Commission on Aboriginal Peoples, the task force on federally sentenced women, and the task force on the use of solitary confinement in federal prisons. Through Monture’s correspondence, it is possible to get a sense of what it was like working as an Indigenous woman in academia during this period.
The material in this fonds consists largely of scripts, clippings, photographs and ephemera pertaining to Bakker’s involvement in theatre in the province of Saskatchewan, and Canada at large. Materials highlighting Bakker’s career are included, as are materials pertaining to her involvement in various theatrical professional organizations. Some personal materials have also been retained.
