Fonds consists of papers, slides, and sculptural maquettes covering a number of commissions and art pieces which Vic Cicansky completed over a twenty year period, from 1969 to 1989. They include maquettes and sketches for "The Old Working Class," and the "New Working Class" commissions, as well as several smaller pieces. The wall sculpture entitled "The Garden Fence," now in the Canadian Broadcasting Building in Regina, is also featured in this collection. Slides take the researcher through the step-by-step processes employed by the artist in creating his sculptures. There is a working sketch, a sample title, a miniature wall, the photographs of the final sculpture as evidence of these processes. This fonds includes the papers of fellow artist, David Zack.

Fonds consists of personal papers throughly documenting the private life and literary career of Canadian poet & writer, Lorna Crozier. While the arrangement of series varies somewhat among the accessions, as a whole the fonds contain the following series: Correspondence (personal and professional); Writings/Drafts (by Crozier & other writers); Professional Activites; Publications (buy and about Crozier and other authors); Personal files; Employment and Education files; Photographs; Posters; and Audio Visual Tapes. Beginning with her early student works a substantial portion of the papers is made up of drafts, revisions, gallery proofs, manuscripts, reviews, and published versions of poems, plays, short stories, and reviews written by Crozier, providing a detailed reflection of her development as a writer. Also noteworthy is the extensive personal and professional correspondence with family, friends, publishers and colleagues including such important Canadian writers as Susan Musgrave, John Newlove, Anne Szumigalski, Eli Mandel, and her husband Patrick Lane, as well as many others. Crozier's varied activities as an editor, teacher, speaker, interviewer, jurist, speech writer, and student are well represented in the papers, as are her associations with numerous literary and cultural organizations. The audio visual materials provide aural and visual glimpses into her life and work, and include audiotapes of interviews with various artists conducted by Crozier and of her and Lane's appearances on CBC Radio.

Fonds consists primarily of records generated by two committees: the Saskatchewan Department of Education's Committee of Inquiry on Teacher Salary Negotiation Procedures, 1966-67, and the University of Saskatchewan's Joint Committee on Higher Education, 1965-68. Dr. Harvey was a member of the Joint Committee on Higher Education and was chairman of the Regina Campus Sub-Committee. The major purposes of the Joint Committee were: to examine all aspects of post-secondary education; to examine the feasibility of establishing several colleges in defined regions of the province to further the economic and cultural development of the region; and to examine and evaluate the articulation of all formal and informal educational programs in a community.

Fonds consists of statistics, student papers, annual reports, memoranda, publications, and photographs relating to athletic programs at the University of Regina. Of particular interest is a series of portraits, game action shots, and group shots of Cougar hockey teams, 1974-1984, as well as hockey career scoring statistics, 1976-1984. The fonds also contains a small series of files pertaining to sport and athletic organizations with which Reg Higgs was associated.

Fonds consists of professional records generated by Manitoba painter Arthur Horsfall, 1940-1995. The bulk of the collection consists of original drawings, sketches and sketchbooks, designs, and watercolors, as well as slides and photographs of his art works. Also included are correspondence, catalogues, and other records relating to the sale and exhibition of his work, along with correspondence with art galleries, art schools, arts organizations, professional associations, and employers. Publications featuring Arthur Horsfall and other artists are also present.

Fonds consists of personal papers of Regina lawyer and art collector Norman MacKenzie, dating from approximately 1890-1936. Chiefly consisting of correspondence relating to the selection, acquisition, and appraisal of art work, 1911-1936, the fonds also contains personal and family photographs and a scrapbook of letters and clippings relating to his death.

Fonds consists of childhood drawings created by Saskatchewan artist, Art McKay, ca. 1930s.

Fonds consists of personal and professional papers created by Margaret Messer. Arranged in six series (Education, General, Teaching, Organizations, Publications, and Scrapbooks) the records document her activities as a teacher, art educator, writer, and illustrator, as well as her own education and training and her involvement with several professional groups. A large part of the collection contains information on art education programs at Balfour Technical School (1945-1974) and at the University of Saskatchewan, Regina Campus (ca. 1966-1984) where she was a significant influence on program development. Of particular note is the series of publications which includes articles and books written or illustrated by Messer (1946-1973). Publications of the Saskatchewan Society for Education through Art (SSEA) are found in the Organizations series, along with papers, correspondence, conference materials, minutes, newsletters, and other records pertaining to her involvement with the SSEA (1961-1985), the Canadian Society for Education through Art (1962-1984), the Saskatchewan Arts Board (1947-1970), and others. General Files (1927-1986), containing biographical information, art commissions, personal and professional correspondence, curriculum materials, travel logs, drawings by Messer, and memorabilia, provide additional insight into her life and career.

Fonds consists of the personal and professional papers created by English professor and writer, Ken Mitchell. Although the series arrangement varies from accession to accession, the great bulk of the records relate to his prolific literary career. These include drafts, correspondence, notes, revisions, proofs, reviews, publicity materials, research materials, manuscripts, scripts, outlines, contracts, publications, scrapbooks, posters, audio visual materials, background information, and financial records which fully document the development of Mitchell's writing projects, dramatic performances, and radio, film, and television productions. Complimenting the literary papers are business correspondence, as well as files relating to Mitchell's involvement with various professional associations and professional activities such as speeches, readings, workshops, and tours. Correspondence class materials, student papers and other records document Mitchell's teaching activities, chiefly with the English Department at the University of Regina. The fonds also includes personal correspondence, personal financial records, biographical information, daily planners, and files relating to Mitchell's political activities with the New Democratic Party.

Fonds consists of personal and professional papers chronicling the artistic and academic career of Doug Morton. Included are: Original drawings and sketches; Photographs and slides depiciting family, friends, artists, exhibitions and studios, and works of art by Doug Morton and others; and publications including exhibition catalogues, invitations, articles, publicity material, and clippings relating to Morton and other artists. A series of general files contain personal and business correspondence, biographical information, financial records, material relating to Morton's art projects, speaking engagements, jurying activities, and professional associatiions, and to his various work appointments.

Fonds consists of information on all the exhibitions held at Neutral ground from 1982-1990, with a few exceptions. The collection also contains photographs, slides, and posters.

This fonds consists of serveral accessions: Feasibility Study on the Norman Mackenzie Art Gallery (85-73;. Cassette tape on the Mackenzie building controversy, produced by CBC (88-66); Administrative files, 3 architectural blueprints, 29 photographs and 1 poster, 1937-1985 (89-34; Architectural plans from the 1930s (89-67); General files from the Faculty of Fine Arts which includes administrative papers on the Gallery (91-27); and Administrative files from the coordinator of Education Programs, 1981-1990 (93-45).

Fonds consists of questionnaires, correspondence, notes, photographs, and research files generated by James M. Pitsula pertaining to his book, 'An Act of Faith: The Early Years of Regina College', 1984-1986. Of particular interest are questionnaires completed by former Regina College students recording their memories of the institution, as well as correspondence with some alumni. The research files contain notes, copies of articles, newspaper clippings, and photocopies of archival documents housed at the University of Regina Archives, the Saskatchewan Archives Board, and elsewhere. Although the research occurred in 1984-1986, the time-span under study was 1911-1939, and the copied documents and photographs originate from that period. The photos are copy negatives of originals in the collection of the University of Regina Archives. Most, but not all, were used in the book

Fonds consists of personal and professional papers of Rita Shelton Deverell. Documenting her multi-faceted career are publications, research files, teaching records, correspondence , audio-visual materials, committee and conference records, professional memberships, reviews, clippings, and workshop records. Of particular note are background information, correspondence, financial records, transcripts, and clippings relating to Deverell's research on theatre personality, Florence B. James. Personal records include appointment books, financial records, contracts, photographs, publications, scrapbooks, clippings, and songbooks, as well as a small quantity of personal correspondence. Research files, seminar materials, drafts and abstracts, and other records relating to Deverell's doctoral studies are also present, chiefly pertaining to her dissertation on "Arts Policy, Society, and Children".

Fonds consists of research materials and writings generated by journalist Maggie Siggins during the production of five books: 'Bassett: His Forty Years in Politics, Publishing, Business, and Sports' (James Lorimer and Company, 1979); 'Brian and the Boys: A Study of Gang Rape' (James Lorimer and Company, 1984); 'A Canadian Tragedy: JoAnn and Colin Thatcher: A Study of Love and Hate' (Macmillan of Canada, 1985); 'Revenge of the Land: A Century of Greed, Tragedy and Murder on a Saskatchewan Farm' (McClelland and Stewart, 1991); and 'Riel: A Life of Revolution' (Harper Collins, 1994). While the arrangement varies amongst the various accessions, as a whole the records fall into four main series: Research Files, Interviews, Legal Materials, and Writings. The products of Siggins' thorough research, the first series contains magazine and news clipping, correspondence, biographical information on subjects and informants, notes, bibliographies, background materials, chronologies, photographs, articles, and copies of archival documents. The second series consists of audio recordings and/or transcripts of interviews with an extensive array of individuals who played major or minor roles in the events Siggins describes. Since a number of her books deal with court cases, the fonds also includes comprehensive legal documentation including proceedings of hearings and trials, affidavits, judgements, and files relating to forensic and medical evidence, laws and legal arguments, and testimony. The final series consists of outlines, drafts, manuscripts, galleys and correspondence relating to the writing and publication of the books. It should be noted that although Siggins' research occurred since 1979, the research files contain extensive historical material. This is particularly true for the Riel records in which is assembled a comprehensive collection of archival documents copied from repositories across Canada, and dating back to the early 1800s. Relating to the 'Bassett' book, the fonds includes only tape recorded interviews.