The Li Collection is comprised of 10 volumes containing stories in Dene collected in northern Alberta in 1928 by linguist Fanggui Li. Recorded in the field, these texts consist of phonetic transcriptions of stories elicited from Francois Mandeville and Baptiste Ferrier, with interlinear English translations.

The majority of this fonds is printed material including periodicals, magazines and reports. The subject matter deals with women's issues, adult education, native issues and international development primarily in Ghana and Saskatchewan.

The McKay family fonds contains material created and assembled primarily by Angus McKay and his daughter Annie Maude (Nan) Nan McKay. The photographs include family members as well as HBC staff; the University of Saskatchewan campus during Nan McKay’s time as a student; and a variety of scenes and people in Northern Saskatchewan, documenting Angus McKay’s work and family life at various posting, and including a photo identified as a treaty party in La Ronge. The textual material accumulated by Angus McKay includes business, family and personal correspondence, including correspondence relating to his award of scrip, receipts, financial accounts, price lists, tax assessments, etc. There is also material relating to the McKay family tree; printed reminiscences (1935) of the Riel Rebellion of 1885; notes and sketches for a talk by Nan McKay about bird watching.

Treaty Six Adhesion Document, 1889.

This fonds contains reports, budget material, financial statements, notebooks and correspondence relating to the administration of the Native Law Centre. Also included are the "University of Toronto Report of the Special Committee on Native Canadian Students" (1988) and the "University of New Brunswick Report of the Committee on Native Indian Student Access and Support" (1989).

This fonds includes materials relating to Patricia Monture’s teaching, research, and professional activities on campus, as well as an extensive collection of materials relating to Indigenous rights, women’s rights, Indigenous women’s rights, the Canadian justice system, and how the Canadian justice system interacts with Aboriginal, female, and Aboriginal female offenders. The papers also explore issues of child welfare and domestic violence. A number of legal documents are included, as are materials relating to Indigenous self-governance, treaties, and the Indian Act. Also included are materials relating to Monture’s involvement in a number of national commissions including the Royal Commission on Aboriginal Peoples, the task force on federally sentenced women, and the task force on the use of solitary confinement in federal prisons. Through Monture’s correspondence, it is possible to get a sense of what it was like working as an Indigenous woman in academia during this period.

This fonds contains correspondence, clippings, financial fonds, reports, and notes pertaining to the activities and interests of R.C. Carter.

This fonds contains material created or collected by Dr. Williamson during his varied career as an anthropologist, civil servant, legislator, professor, and as a consultant for various provincial, national and international organizations and governments. Although primarily documenting Dr. Williamson's work for and with the Inuit of northern Canada, this fonds includes material relating to all circumpolar countries, other aboriginal groups in Canada, international affairs, and a very broad range of topics as they relate to the north, including art and culture, physical geography, sport, environment, botany, zoology, economics, defence, etc. It includes his personal and professional correspondence, research data, articles and scholarly writing, as well as a substantial collection of reference publications.

This fonds consists primarily of material from two studies in which Dr. Bone was associated. The earliest, the "Stony Rapids Project", was conducted while Bone was in the Department of Geography. It started with a small grant from the Canadian Wildlife Service to examine the caribou hunt; ie. the number of people involved and the number of animals taken. The project, however, grew to encompass a wider study of the region and its inhabitants. The second study was undertaken while Bone was with the Institute of Northern Studies (INS). The Northern Saskatchewan Housing Needs Survey was a co-operative effort between the Department of Northern Saskatchewan and the Northern Municipal Council. The primary focus was to investigate the housing needs of the Métis in northern Saskatchewan. The INS was subcontracted to oversee the project, train the surveyors, enter the data, and write the final report. The resulting survey was more than an examination of housing needs. It also contains a great deal of socio-economic data which resulted in one of the most exhaustive studies of its kind. The fact that the surveyors came from the communities studied explains much of the data collection success. Both of these projects offer a unique snapshot of the communities studied. There is also material of a more general nature that deals with northern Saskatchewan, Alberta, Manitoba, and the Yukon and Northwest Territories.

These photographs capture the activities of the Indian 4-H program in a number of locations around Saskatchewan. Most photographs are in albums, although some arrived mounted on foamcore.

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).