Fonds consists of personal and professional papers of Classics professor Sam Stewart, including: University of Regina correspondence (1964-1981), exams, and committee records; files relating to local and regional Classics organizations; writings and speeches by Stewart; and personal material relating to liberal education and to basketball. The basketball ephemera, 1946-1975, contain information on Cougar Basketball Alumni.

Fonds consists of personal papers of Charles Torville, including personal documents, correspondence, photographs, newspaper clippings, business and financial records, association files, and manuscripts relating to his activities as a businessman, mystic, songwriter, poet, and writer. Of particular interest are his letters from his sister Elsie Torville, in England (1906-08). His own writing is fractured and borders on incoherent.

Fonds consists of personal and professional papers created by Allan Bishop VanCleave, chemistry professor and Dean of Graduate Studies. Included are lecture notes and glass lantern slides on glaciation; records relating to a high school teachers' seminar in chemistry (1960) and the University of Saskatchewan Alumni Association (1948); and colour slides depicting the sod turning, construction, and completed buildings of the main campus, University of Regina. (1962-1976).

Fonds consists of personal, professional, and business records generated by Saskatchewan architect Clifford Wiens, 1953-1990. Although arrangement and processing are not complete, the records are found in three series: Personal, General Office Files, and Project Files. The Personal series contains biographical information, financial records, health records, insurance files, publications by and about Clifford Wiens, speeches, presentations, interviews, and files relating to exhibitions and shows. Contained in the General Office Files series are the administrative records of Wiens' architectural firm relating to financial matters, personnel, equipment and supplies, competitions, conferences, travel, insurance, maintenance, property, public relations, communications, and correspondence with professional associations, government agencies, boards and committees, juries, and businesses. The financial records are extensive, dating from 1958-1982 and including financial statements, expense reports, corporate tax returns, appointment books, ledgers, auditors' reports, accounts, and routine bookkeeping documents. By far the most voluminous series is the Project Files which comprise approximately 32 meters of textual records and 5,200 drawings and plans relating to all phases of conception, design, tendering, and construction of Wien's work from 1958-1990. The projects range from small repairs, renovations, and additions, to heritage restorations, to large public buildings and commercial complexes, and include schools, churches, office buildings, stores, warehouses, picnic shelters and campsites, monuments, markers, and roadside signs, houses and apartments, hotels and motels. Proposals for projects that were never built have also been retained. Arranged chronologically by project number, the files contain feasibility studies, requirements, proposals, contracts, tenders, change orders and change memos, test reports, drawings and plans, presentation boards, revisions, approvals, meeting minutes and notes, specifications, quotations and cost estimates, progress reports and invoices, transmittal forms, furniture lists, schedules, inspection reports, shop drawings, photographs, models, colour schemes, recommendations and observations, interior designs, consultants' reports, field instructions, correspondence with clients and contractors, and other documents.

Fonds consists of personal and professional papers generated by artist and sculptor Russ Yuristy, 1947-1993. Although the fonds has been only partially processed, in general the records fall into the following series: Education (1947-1956, 1959, 1965); Personal (1955-1964, 1969-1993); Writing (1960-1971, 1984-1993); Work (1961-1993); Photographs ([1952], 1974-1980); Biographical Information (1972-1984); and Newspaper Clippings (1970-1993). The Work series is subdivided into three sub-series documenting Yuristy's career as a Teacher (1967-1971, 1987-1990), Artist (1961-1993), and Sculptor (1972-1993). Included are correspondence with educational institutions, art galleries, playground operators, Canada Council and other granting agencies, exhibition catalogues, posters and invitations, newspaper clippings, drawings, notes, sketches, plans, and sales records. The fonds also contains personal correspondence with family and friends, legal documents and correspondence, articles, and stories written by Yuristy, and photos of Yuristy and his playground sculptures. 85-38, 90-38 and 93-44 contain personal papers, correspondence with galleries and Canada Council, various drawings and sketches by Yuristy and publications about Yuristy. 90-38 also contains 58 photographs falling into two series: Playground Sculptures; and Personal photographs from Goodeve. 90-38 also contains 2 playground blueprints.

Fonds consists of reports, minutes, and briefs relating to post secondary education in Canada. Included are: Canadian Association of Graduate Schools minutes, 1966-1972; Canadian Historical Association Graduate Studies report, 1975; Report of the Western Canadian Universities Task Force on Information Needs and Systems, 1973; and University of Saskatchewan Alumni Association Brief to the University Organization and Structure Commission, [1973].

The fonds contain black and white photographs from Sandra Fedosa's private collection. They include images of the Ontario Ladies College, Melfort Hotel, Broadway School, Flett Springs Post Office, as well as Melfort's Sports Day, train station, and pioneers.

The Antoinette Moreau collection contains photographs that depict the family and friends of Antoinette Moreau and offer a look into the way of life of the Muskeg Lake Cree Nation.