This fonds consists of records created, accumulated and used by Peter McGehee in his work as an artist, performer, and writer in San Francisco, California, Saskatoon, Saskatchewan and Toronto, Ontario, and as part of the Quinlan Sisters and the Fabulous Sirs. The fonds also includes photographs taken by McGehee's friends, such as his partner Doug Wilson and Fiji Robinson.

Textual records include: an outline of a script of Fiji Robinson's life story (according to Peter McGehee); a poster for "Beyond Happiness: The intimate memoirs of Billy Lee Belle"; photocopied advertisements and newspaper articles about "Boys Like Us" and the Quinlan Sisters; posters for the Quinlan Sisters; Fabulous Sirs concert itinerary; invitation to Maddy Quinlan's (Tim Lewis) 10 year in San Francisco party; and a business card for the Quinlan Sisters with McGehee listed as writer/director, Doug Wilson as manager, and Fiji Champagne, Peaches O'Cod, and Marie Quinlan as performers.

Photographs include colour and black and white prints, black and white contact sheets, print collages, and colour and black and white negatives. Images include professional photographs of Peter McGehee, The Quinlan Sisters, The Fabulous Sirs, and Doug Wilson and candid shots of Peter McGehee, Doug Wilson, Wilson's family, Fiji Robinson, Wendy Coad, Rob MacDonald, Cheryl O'Brien, Janice Kell, Michael Achtman, Brian Gladwell, Lynn McLeod, Charlie Drinkwater, Ruth Welsh, John Goodman, Julie McGehee, Katie O'Grady, and David Rimmer. Some photographs are identified as taken in San Francisco, Toronto, New York City, Rome, Italy, Granada, and Saskatoon, Climax and Meadow Lake, Saskatchewan. Most negatives are not identified. Some photos contain explicit content.

The McKay family fonds contains material created and assembled primarily by Angus McKay and his daughter Annie Maude (Nan) Nan McKay. The photographs include family members as well as HBC staff; the University of Saskatchewan campus during Nan McKay’s time as a student; and a variety of scenes and people in Northern Saskatchewan, documenting Angus McKay’s work and family life at various posting, and including a photo identified as a treaty party in La Ronge. The textual material accumulated by Angus McKay includes business, family and personal correspondence, including correspondence relating to his award of scrip, receipts, financial accounts, price lists, tax assessments, etc. There is also material relating to the McKay family tree; printed reminiscences (1935) of the Riel Rebellion of 1885; notes and sketches for a talk by Nan McKay about bird watching.

This scrapbook, “College Days,” contains materials collected by Donna during the years she attended university. Much of the material relates to student events, including initiation; banquets (“The New Girls’ Banquet given in honour of The Old Girls”); dances sponsored by Pente Kai Deka, Arts and Science, the Engineering Society, and the Literary Society. It also include various clippings about University faculty and students; some material relating to student elections (Sexton, Culliton, Mackenzie); the 1927 program for Varsity Follies; the 1926 commemoration service on November 11; class timetables, etc. Also included are original ink drawings, of a couple dancing, and of “Study Hour at Varsity,” as well as photographs of Donna and classmates “Mac” [Mary McLeary], Eleanor Knox, Winona Yager, and Hazel [?], as well as a group known as the “Swift Current gang.” Also included are samples of University stationery, a letter, song lyrics and college yells, various ads, including one for the Halfway House, etc.

This fonds contains materials relating to the life of Jack Quinlan. It includes photographs of his years as a student at the University of Saskatchewan, but predominantly reflects his time with the RCAF. It is notable for the letters of condolence sent to his family following his death, which provide clear evidence of the extent to which one family’s loss was felt throughout the community.

This fonds consists of records of the Joseph Hinde and Henry Wake families, members of an English Quaker community in Birmingham who immigrated to Canada in 1912. The records reflect their daily lives and the operation of the Hinde family's Valley Springs Ranch near Borden, Saskatchewan. Materials relating to the Horn family farm at Spring Valley Saskatchewan during the Depression comprise the second series of records in this fonds. The types of records included are diaries, correspondence, photographs, financial records, publications, artifacts and clippings.

The Skwara farm near Borden, Saskatchewan, has remained in the hands of a single family for over 70 years. The majority of that period – over 60 years – is documented in this fonds. In particular, as farmers such as the Skwaras are self-employed, details in income tax and Canadian Wheat Board permit books provide considerable insight into the changing nature of farming practices and the economic reality of farming over time. Blacksmithing costs; beekeeping; the nature of the crops being grown; diversification through livestock; cost (and availability) of transient help; and the number of acres under cultivation all combine to tell not only the personal story of one farm family, but also farming as a business. A plow, purchased in 1945 for $10.50, is replaced in 1950 by one costing $345.00; a tractor in 1967 cost more than a house in 1961.

This collection of images by H. W. Finkler, were taken of activities within the framework of Canada – USSR / Russia cooperation on the arctic. The subject matter follows the development of international relations, with an emphasis on the Chukotka Autonomous Okrug and particularly, Indigenous peoples of the north. The collection contains images of cities, towns, and herding camps; various officials from Canada and Russia; and numerous images of local people. It is an exceptionally comprehensive glimpse into the architecture, landscape, and daily lives of people in the Russian federation, over a period of roughly 20 years.

A number of letters dealing with the management of Mrs. Palmer’s landholdings and agricultural operations there during the early years of the Great Depression.

Five original Canadian letters from World War Two, with content about the destroyer HMCS Athabaskan, pride in service, the Wrens, criticisms of those young men not serving, and duties while in service. Two of the letters were written by Telegrapher Leonard Woolsey. The other letters were written by Barbara Woolsey. The letters were addressed to Eldon Woolsey, brother of Leonard and son of Barbara, who served overseas with the RCAF.

One photograph album containing photographs taken by a Canadian soldier between 1917 and 1919.

Oversized glass negatives of group photographs/graduation photos

This collection contains the letters written by Mac Hone to Jean Ruryk from ca. 1939-1944, together with photographs primarily of the Lindner family. The letters discuss news of mutual friends from the Emma Lake Art Camp; theatre, music, ballet, movies and books; Mac’s war work (welding); etc.

These postcards are printed photographs (not real photo) images of the University of Saskatchewan campus, and Saskatoon, taken during the 1940s. The postcards have not been used: each is identified with a “negative number” on the back, although the photographer is not known. It is assumed these were a reference set, from which orders for more postcards could be made. They are in pristine condition and provide exceptionally clear images of early University buildings, such as the original Veterinary Medicine building and the student-built “New Medical College,” as well as rare images of Saskatoon, including the Bessborough Hotel gardens and views of bridges from the road.

Incomplete collection of 35mm slides used by Gordon Snelgrove in his teaching. These slides were in circulation until 2010. The paper mounted slides include handwritten notes in blue and red pen by Gordon Snelgrove.
Snelgrove’s previously used glass lantern slides were discarded when the Department of Art and Art History moved from the Hangar Building to the Murray Building. Many of the 35mm slides have also been discarded or re-mounted in plastic as the original cardboard mountings were damaged with time.
Also included is a copy of a book annotated by Snelgrove entitled.

This fonds includes materials related to Gens’ work in bringing together Saskatchewan’s gay community, both in general terms of his activism and gay health work, and more specifically in terms of his publishing work on Gaymates and Perceptions. The fonds also contains an extensive pornography collection ranging from magazines to videos to other types of pornographic materials. Gens maintained extensive subject files on Queer life in Canada, and these have been maintained under Series III: Queer Subject files. Many of these are related to the history of Queer communities in Canada and Saskatchewan. Finally, some personal material relating to Gens is also included.