The contents of this fonds is primarily drafts and clippings of articles and editorials by Margaret Weiers. The fonds also includes the first draft of manuscript Against The Odds which became Envoys Extraordinary: Women of the Canadian Foreign Service, published by Dundurn Press in 1995.

This fonds contains materials collected and created by Margaret “Pearl” Hanning throughout her life. Predominant are publications by R.W. Robins*, a British collector and author she had a correspondence with. Some correspondence, poems, and pamphlets were found tucked inside these publications. Also are some artifacts relating to the British monarchy and her retirement. Other documents pertaining to her life are also present such as photographs, school work, and her burial certificate.

This fonds contains personal correspondence with family, colleagues, and publishers; prose and music compositions; material pertaining to provincial music associations, festivals, performances, and recitals; etc.

The fonds primarily consists of material about Max Jacob compiled and organized by Maria Green, based on research in libraries and archives in North America and Europe. This includes correspondence, writings by and about Jacob, drawings by Jacob, works with references to Jacob, and Green’s index cards including an extensive set of subject-based cards. There is also some material relating to Green’s work (edited collections, articles, awards, etc.).
Where possible, the order established by Green has been maintained, based on available file lists and numbering on file folders. The fonds is organized as follows:
FIRST DRAWER - Material relating to first manuscript
SECOND DRAWER
THIRD DRAWER
FOURTH DRAWER
OTHER MATERIAL

The majority of this fonds is printed material including periodicals, magazines and reports. The subject matter deals with women's issues, adult education, native issues and international development primarily in Ghana and Saskatchewan.

This fonds contains numerous of Marie Elyse St. George’s prints and sketches, together with some textual records relating to print-making and writing.

This fonds consists primarily of material relating to Marketa Newman's research about Saskatchewan artists; the Newman family's experience in the Terezin concentration camp and subsequent emigration to Canada; and personal correspondence.

403 English postcards, dating primarily from 1903-1905, in the original postcard album. Most of the postcards were sent [presumably] by members of the Bramford family and are stamped and annotated. Included are several series, such as "Daddy," "Please, Miss, Give Me Heaven," "The Anchor's Weigh'd," "The Sailor's Lass," artist Parsons Norman, etc.

Fonds primarily includes administrative and research files relating to the Matador Project and the International Biological Programme at the Canadian and international levels.

A number of letters dealing with the management of Mrs. Palmer’s landholdings and agricultural operations there during the early years of the Great Depression.

This is a collection of Yacowar’s art auction catalogues, predominantly for European and American art, ranging from the Old Masters to contemporary, representing a variety of mediums. Several of the catalogues include final price lists from the auctions.

: This fonds contains the personal records of an extended family, including photographs, correspondence, and diaries. It documents their interests, careers, and family life predominantly two generations – the Ratcliffes and McConnells. The first accrual documents the interests, careers and family of John and Doreen McConnell and their daughter, Mary Ann. It includes materials related to McConnell’s work in communications, his work for the Canadian and Saskatchewan governments, together with materials relating to his interest in the environment and social and international development issues. It also includes materials relating to his wife, Doreen, who predeceased him. The second accrual adds the records of Doreen’s parents, the Ratcliffes, which includes documents related to their personal life and interests, Elma’s travel, James’ World War I service, and family life.

The McKay family fonds contains material created and assembled primarily by Angus McKay and his daughter Annie Maude (Nan) Nan McKay. The photographs include family members as well as HBC staff; the University of Saskatchewan campus during Nan McKay’s time as a student; and a variety of scenes and people in Northern Saskatchewan, documenting Angus McKay’s work and family life at various posting, and including a photo identified as a treaty party in La Ronge. The textual material accumulated by Angus McKay includes business, family and personal correspondence, including correspondence relating to his award of scrip, receipts, financial accounts, price lists, tax assessments, etc. There is also material relating to the McKay family tree; printed reminiscences (1935) of the Riel Rebellion of 1885; notes and sketches for a talk by Nan McKay about bird watching.

This fonds contains Professor Woods' lecture notes for the following law classes: Property and Ownership; and Personal Property.

This autograph / memory album contains writings from important Methodist/Wesleyan ministers, preachers and missionaries from both sides of the Atlantic. It starts: "Albums are Mansions - at the Door, A Page to bid you welcome stands, And they who never met before May join with pleasure friendly hands…" While the specific ownership is unknown there is little doubt given the many famous autographs and initials adorn the entries that this book resided with one of the senior Methodist ministers or their wife. Perhaps the best-known person in the album is the Canadian educator, politician, and Methodist minister, Egerton Ryerson, for whom Ryerson University is named, wrote "Canadians regard the civil and religious institutions of England as the standard of excellence, and invariably speak of her as their Mother country and their home. Egerton Ryerson Halifax April 3rd 1837." This autograph appears to be a mere four years after Ryerson lobbied effectively to merge the Canadian and English Wesleyan Churches in 1833. In addition to the textual entries, there are two good watercolors (by J Hinks) & a fine drawing of a mother & child (which has not been glued into the album).