- MG 97
- Fonds
- 1937-1989, predominant 1960-1987
This fonds consists of biographical data, correspondence with family, friends, colleagues and gallery curators; lecture notes, articles, poems, exhibition catalogues, and roughly 700 sketches.
Sans titre
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This fonds consists of biographical data, correspondence with family, friends, colleagues and gallery curators; lecture notes, articles, poems, exhibition catalogues, and roughly 700 sketches.
Sans titre
This collection consists primarily of photocopies of correspondence, articles, photographs, sessional papers, and press clippings, related to William Henry Jackson (or Honore Jaxon, as he is also known) including copies of his correspondence. The originals of much of the material dates from 1885. The material is organized and recorded according to the structure that Griffen and Greenland have devised.
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This fonds consists of Reid's research materials relating Isaac Barr and the Barr Colony. Materials include copies of documents on the Barr family and the Barr Colony, dating from 1883. The records have been sorted into three broad categories. New file titles have been created only when it was appropriate to do so.
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This fonds consists of records created, accumulated and used by Peter McGehee in his work as an artist, performer, and writer in San Francisco, California, Saskatoon, Saskatchewan and Toronto, Ontario, and as part of the Quinlan Sisters and the Fabulous Sirs. The fonds also includes photographs taken by McGehee's friends, such as his partner Doug Wilson and Fiji Robinson.
Textual records include: an outline of a script of Fiji Robinson's life story (according to Peter McGehee); a poster for "Beyond Happiness: The intimate memoirs of Billy Lee Belle"; photocopied advertisements and newspaper articles about "Boys Like Us" and the Quinlan Sisters; posters for the Quinlan Sisters; Fabulous Sirs concert itinerary; invitation to Maddy Quinlan's (Tim Lewis) 10 year in San Francisco party; and a business card for the Quinlan Sisters with McGehee listed as writer/director, Doug Wilson as manager, and Fiji Champagne, Peaches O'Cod, and Marie Quinlan as performers.
Photographs include colour and black and white prints, black and white contact sheets, print collages, and colour and black and white negatives. Images include professional photographs of Peter McGehee, The Quinlan Sisters, The Fabulous Sirs, and Doug Wilson and candid shots of Peter McGehee, Doug Wilson, Wilson's family, Fiji Robinson, Wendy Coad, Rob MacDonald, Cheryl O'Brien, Janice Kell, Michael Achtman, Brian Gladwell, Lynn McLeod, Charlie Drinkwater, Ruth Welsh, John Goodman, Julie McGehee, Katie O'Grady, and David Rimmer. Some photographs are identified as taken in San Francisco, Toronto, New York City, Rome, Italy, Granada, and Saskatoon, Climax and Meadow Lake, Saskatchewan. Most negatives are not identified. Some photos contain explicit content.
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Saskatoon Gateway Players fonds
This fonds consists of records documenting Saskatoon Gateway Players' productions since its inception, including b&w headshots of the actors, numerous on-stage photographs of most productions, videos of some performances, programmes, brochures and posters, as well as administrative records of the organization such as board minutes and financial records. The fonds also includes copies of the Saskatoon Gateway Players newletter "The Prompter," newclippings, and an electronic database containing the production's dates, titles, actors, production crew, and season board members.
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This fonds contains material created or collected by Dr. Williamson during his varied career as an anthropologist, civil servant, legislator, professor, and as a consultant for various provincial, national and international organizations and governments. Although primarily documenting Dr. Williamson's work for and with the Inuit of northern Canada, this fonds includes material relating to all circumpolar countries, other aboriginal groups in Canada, international affairs, and a very broad range of topics as they relate to the north, including art and culture, physical geography, sport, environment, botany, zoology, economics, defence, etc. It includes his personal and professional correspondence, research data, articles and scholarly writing, as well as a substantial collection of reference publications.
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This collection includes Elliott's notes, some class handouts, and various texts.
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This fonds contains material relating to issues of nutrition, home economy, rural life and consumer advice. It includes material relating to the Federated Women's Institutes of Canada and various branches of the Saskatchewan Women's Institutes, together with documentation created during Emmie Oddie's career and voluntary service interests. Additionally, this fonds contains material created by, collected by, or about Emmie's mother and sister, and their careers.
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This fonds contains correspondence, reports, studies, minutes, articles and speeches documenting the interests and career of Dr. Matthews. The bulk of the material deals with health care in general and Medicare in particular.
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This fonds contains a scrapbook (two folders) containing clippings, photos, programs and invitations. The scapbook documents the Royal Visit and Coronation, the bursar's office, general university happenings, drama and musical entertainment and wedding and other important events of family and friends.
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Since 1984, Joanne Abrahamson has travelled extensively throughout Saskatchewan, and has documented virtually every city, town, village, and hamlet in the province, from Aberfeldy to Xena. Her photographs are primarily of grain elevators, schools, churches, railway stations, town offices; in some instances she has returned to a site after a period of several years, providing documentation of changes over time. A few of her images are of rural Alberta and Manitoba, with a few of the northern United States (North Dakota and Montana). In addition, she created a daily photographic journal of the demolition of the YWCA building in Saskatoon. Several of her photographs have been published.
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The material in this fonds documents the literary and performance career of Steven Ross Smith.
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The fonds contains contact confirmation cards collected by the club over the decades of operation. QSL cards are, perhaps, the most visible aspect of this hobby. The radio operator would send a 'confirmation of reception' (or 'QSL' in the ham's Q-code) to a listener who had proof of reception time, date and frequency as well as information on the quality of the signal received. They are proof that a shortwave radio station was heard.
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This fonds contains photographs, negatives, slides, notes and drafts pertaining to the writing, editing and production of the book University of Saskatchewan : a photo album by Betty Jantz & Louise Barak, published in Saskatoon, Sask. by the University of Saskatchewan, in 1997.
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This fonds contains the autobiographies of Tony Wilson and his brother, Walter Wilson. Both accounts recall life on a homestead near Bengough, Saskatchewan just after the turn of the century, as well as their terms of service during World War II. The autobiography by Tony Wilson includes several copies of family photographs.
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