Incomplete collection of 35mm slides used by Gordon Snelgrove in his teaching. These slides were in circulation until 2010. The paper mounted slides include handwritten notes in blue and red pen by Gordon Snelgrove.
Snelgrove’s previously used glass lantern slides were discarded when the Department of Art and Art History moved from the Hangar Building to the Murray Building. Many of the 35mm slides have also been discarded or re-mounted in plastic as the original cardboard mountings were damaged with time.
Also included is a copy of a book annotated by Snelgrove entitled.

This collection primarily contains materials acquired by Grace Taylor during the three years she spent in Japan, just prior to the outbreak of World War II. In addition, the collection includes diaries from Grace, her husband and their daughter; and numerous family photographs.

This fonds documents Dommasch's career as a medical and artistic photographer and educator. This photographic material covers a wide range of subject matter, with particular emphasis on medicine, natural history, the Canadian arctic, and grain elevators. Considerable reference material, relating to the history of photography as a science and an art, is also included. In addition, this fonds contains Dommasch's extensive collection of posters, including those used for the exhibition, "Posters Against War and Violence." This fonds contains correspondence, clippings, notes, certificates and awards, photographs, slides, sketches, posters, films and publications documenting the interests and career of Hans Dommasch.

This fonds contains materials relating to Gruen's academic research in applied mycology and botany, and documents his personal interest in Japan, in philately, and on the uses of fungi as tinder for early methods of fire making. It contains personal correspondence, including diaries; as well as material documenting his early life and education.

This fonds contains materials documenting the approach of a self-taught artist, including reference materials, catalogues of art shows, articles, etc. It includes material relating to various art exhibitions throughout the province, at which several respected folk artists displayed their work. Some early artworks by Harvey are included, as are the art supplies used by Harvey in his work.

This collection includes Howdy McPhail’s aerial photographs, predominantly of individual farms and views of towns and cities. Some images are of specific landmarks, scenic views, or fauna. All images are identified and a majority are dated. A second accrual contains examples of printed calendars and postcards that were sold by McPhail, as well as some correspondence and other business documentation. Images used in an exhibition curated by Helen Marzolf were added in 2018. Further accruals of correspondence, order forms, negatives and prints were interfiled in Series B.

One photograph album containing photographs taken by a Canadian soldier between 1917 and 1919.

The Westcott-Hurley Collection contains many finished paintings, sketches, and experimental artworks by Hurley as well as correspondence, newspaper clippings, slides and photographs of Hurley, as well as his family, friends, and things that interested him.

This fonds contains images depicting many of the building projects that were done during Innes’ years working on campus. They are not limited to buildings, but include available building sites, roads and walks, landscaping and some graphics. In addition, it includes images of other university campus from around North America, and some from Europe.

This collection includes 7 original photograph albums, primarily documenting life overseas for Canadian servicemen during World War I. In addition to the military images are photographs of the Canadian west, including the Better Farming Train, fairs and livestock exhibitions, and early images of Banff, the Rockies, and Vancouver.

This collection contains the letters written by Mac Hone to Jean Ruryk from ca. 1939-1944, together with photographs primarily of the Lindner family. The letters discuss news of mutual friends from the Emma Lake Art Camp; theatre, music, ballet, movies and books; Mac’s war work (welding); etc.

Since 1984, Joanne Abrahamson has travelled extensively throughout Saskatchewan, and has documented virtually every city, town, village, and hamlet in the province, from Aberfeldy to Xena. Her photographs are primarily of grain elevators, schools, churches, railway stations, town offices; in some instances she has returned to a site after a period of several years, providing documentation of changes over time. A few of her images are of rural Alberta and Manitoba, with a few of the northern United States (North Dakota and Montana). In addition, she created a daily photographic journal of the demolition of the YWCA building in Saskatoon. Several of her photographs have been published.

This fonds contains images of Canadian women of achievement; most were taken during the celebration of the International Year of the Woman (1975) and formed part of the exhibition, "30 Portraits of Women."

This fonds contains Kate Hodgson’s “The Twelve Stacks of Christmas,” a series of illustration in acrylic on canvas, created in 1998 as a Christmas gift to the student assistants who reshelved books in her branch.

This collection includes images Keith Ewart has taken of structural landmarks, particularly in Saskatchewan, but also from all across Canada. Also, there are glass plates from a Moose Jaw photographer ca. 1915-1920. The collection also contains some images that were not taken by Ewart, but were collected by him.