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Art Knight fonds

  • MG 160
  • Fonds
  • 1958-1980

This fonds contains offprints collected by Dr. Knight. The primary focus of the material deals with photochemistry (a branch of chemistry having to do with the effect of radiant energy, especially light, in producing chemical action). Some of the noteworthy scientists whose work are represented in the collection are, by country:
Canada: E.W.R. Steacie, R.J. Cvetanovic, R.W. Back, H.E. Gunning, P. DeMayo
United States: W.A. Noyes, G.S. Hammond, J.A. Calvert, J.N. Pitts Jr.
United Kingdom: W. Norrish, J. Polanyi (Sr.), R.P. Porter, A.F. Trotman-Dickinson

Knight, Art

Art McKay - Portrait

Art McKay - Portrait

Head and shoulders image of Art McKay, director, School of Art, Regina Campus.

Bio/Historical Note: Arthur Fortescue McKay, best known as Art McKay, was born in 1918 in Nipawin, Saskatchewan. His father was Joseph Fortescue McKay, a son of Angus McKay whose own grandfather was the younger John Richards McKay and whose grandmother was Harriet Ballenden. This and other ancestry would qualify McKay as an Anglo-Métis artist in Saskatchewan and in Canada. His mother, Georgina Agnes Newnham, was a daughter of another historical figure in Saskatchewan, the Anglican Bishop of Saskatchewan, Jervois Newnham. From an early age McKay drew landscape. His training in art began at the Provincial Institute of Technology and Art (now the Alberta University of the Arts) in Calgary (1946–1948), and later at the Académie de la Grande Chaumière in Paris (1949–1950), Columbia University in New York (1956–1957), and The Barnes Foundation in Merion, Pennsylvania (1956–1957). In 1952 McKay joined the staff of the Regina Art School (now the University of Regina). From 1951-1956 he was a lecturer in art at the University of Saskatchewan in Saskatoon. While there, McKay helped organize a series of Emma Lake Artists' Workshops in rural Saskatchewan. He became an associate professor in art there between 1956-1974, and director from 1964-1967. In 1978 he was an associate professor of art at the University of Regina. McKay received national and international attention as one of the painting group the Regina Five. The group's paintings were exhibited at the National Gallery of Canada in 1961 in a show titled "Five Painters from Regina". He was influenced in the 1960s by Barnett Newman, whom he, Ron Bloore, and Roy Kiyooka invited to the Emma Lake Artists' Workshop as guest artist in 1959. McKay's best known works are his scraped enamel circular and rectangular "mandalas", in which he uses relaxing, contemplative imagery to depict ideas related to Zen Buddhism. McKay was included in Clement Greenberg's 1964 "Post-Painterly Abstraction" exhibition. In the 1970s he continued to paint abstractions but also reintroduced the landscape in his work. In 1997, the MacKenzie Art Gallery mounted a national travelling exhibition, "Arthur F. McKay: A Critical Retrospective". His work is in many collections, both public and private, such as the National Gallery of Canada, Ottawa. McKay died in 2000 in Squamish, British Columbia.

Art Stilborn - Portrait

Art Stilborn - Portrait

Head and shoulders image of Art Stilborn, School of Agriculture, 1947-1976.

Bio/Historical Note: Arthur Alexander (Art) Stilborn was born 29 January 1912 in the Pheasant Forks district near Lorlie, Saskatchewan. He received a BSA in 1941 from the University of Saskatchewan. During World War II he served in the Royal Canadian Air Force. Stilborn received a BA (1946) and BEd (1947) from the U of S and joined the staff of the university as an instructor in the School of Agriculture in 1947. He was acting director for part of that time. He assumed directorship of the School in 1957 and served in that capacity until 1974. He retired in 1976. Stilborn died in Saskatoon in 1993.

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