Artists√

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Personal correspondence

This series contains correspondence between Peter Millard and Ken Carpenter, Patrick Hayman and Sheila Layton. There is also correspondence with various individuals dealing with the life and work of Frances Hodgkins.

Sans titre

Artists, galleries and museums

This series contains material pertaining to art related transactions between Peter Millard and various artists, museums and galleries in Canada and England. There are files for each of the following: The Canadian Art Bank, Oliver Bevan, Canadian Arctic Producers, Prunella Cough, Reta Cowley, Norm Dallin, Gallery One, Maurice Haycock, Patrick Hayman, Keewatin show, Malborough Godard, Mira Godard, Greg Hardy, James Art Studio, Kesik Gallery, Dorthy Knowles, Paul Kuhn, Mackenzie Gallery, D.J. MacMillan, Mendel Gallery, Brian Melnychenko, Bill and Angelique Merasty, Wyona Mulcaster, Frederick Mulder, Denis Nokony, U of S Print Shop, Sotheby's (London), Dmytro Stryjek, Thomas Gallery, Oden Wagner, Susan Whitney Gallery and Wills Lane Gallery.

Sans titre

Mac and Beth Hone fonds

  • MG 183
  • Fonds
  • [ca. 1800s]-2007 (inclusive); 1939-1996 (predominant)

This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.

Sans titre