- 26. Photos - Miscellaneous
- Item
- 1929-30
Part of A.F.L. Kenderdine fonds
Catalogue for exhibition of student art works, 1929-30 art class, University of Saskatchewan.
6 results directly related Exclude narrower terms
Part of A.F.L. Kenderdine fonds
Catalogue for exhibition of student art works, 1929-30 art class, University of Saskatchewan.
Gus and Jane Kenderdine with Walter and Christina Murray
Part of A.F.L. Kenderdine fonds
The Kenderdines with Walter and Mrs. Murray, at Murray Point, Emma Lake art camp.
Incomplete collection of 35mm slides used by Gordon Snelgrove in his teaching. These slides were in circulation until 2010. The paper mounted slides include handwritten notes in blue and red pen by Gordon Snelgrove.
Snelgrove’s previously used glass lantern slides were discarded when the Department of Art and Art History moved from the Hangar Building to the Murray Building. Many of the 35mm slides have also been discarded or re-mounted in plastic as the original cardboard mountings were damaged with time.
Also included is a copy of a book annotated by Snelgrove entitled.
Snelgrove, Gordon
This fonds consists primarily of materials relating to Dr. Hasell's research, writing, and teaching. It includes Dr. Gordon Snelgrove's teaching copy of "Art Through the Ages," Ukrainian embroidery samples originally collected by the Saskatoon Arts and Crafts Society, research papers, and 1,012 slides relating to art history and furniture design.
Hasell, Doris
College Of Arts and Science Dean's Office fonds
This fonds contains material relating to the research work, students, faculty and administration of the College of Arts and Sciences, and its departments. These records generally contain correspondence, minutes, reports, and memoranda; they may also contain material relating to associated national or international organizations, research articles, and addresses.
University of Saskatchewan. College of Arts and Science. Dean's Office
Art and Advertising collection
This collection consists of exhibition catalogues, posters, invitations and promotional ephemera, primarily (but not exclusively) from Canadian art galleries. The catalogues predominantly feature the work of Canadian artists, with some European and American artists (and minimal representation from Asian artists). The collection provides interesting documentation of the development of Canadian art across the country, including regional focus and to some extent, the development of interest in Indigenous art. In addition, the collection includes some auction catalogues, as well as items relating to advertising; art and design used in industry promotion; and industrial design.